National Jewish Theatre, 2025

Victoria Deiorio’s original music and sound design, complimented by Ethan Foss’ sound recreation, establishes mood that enhances the productions levity. The actors’ dialogue is heard from offstage as they move from one end of the theater to the other. The dynamic dialogue and sound effects engulf the audience while it traverses the theater with the actors.
James Lindhorst - BroadwayWorld.com

Kudos to Victoria Deiorio for the delightful original music and sound design, and to Ethan Foss for the sound recreation, whether a trotting hansom or the bustling sounds of the city which cease abruptly with the closing of the door to Holmes’ flat.
Mark Bretz - LaDue News

Menier Chocolate Factor - UK, 2025

...sounds – everything from wolves to thunder to house music – ...adds to the atmosphere and provides great cover for scene changes.
Terry Eastham - londontheatre1.com

Ben Cracknell’s brash neon lighting and Victoria Deiorio’s songs – a kind of euro-rock – somehow work in this comedic period piece.
Greg Stewart - Theatre Weekly

The Old Globe, 2024

Rob Dentons lighting design is colorful and dynamic, and it works well with the original music, as well as Victoria Deiorios appropriately atmospheric and comedic-enhancing sound design.
ErinMarie Reiter - Broadway World

Behind the scenes, the staff of outstanding company designers gives the production its one-of-a-kind visual and sound presence.
Dan Zeff - stageandcinema.com

The Purple Rose Theatre Company, 2024

"A highly impressive sound setup brings Victoria Deiorio’s sound design to terrifying life as the characters battle the elements and predators in the woods."
Duante Beddingfield - Detroit Free Press

Rivendell Theatre Ensemble, 2024

Sound design by Victoria Deiorio is creatively conceived.
Tristan Bruns - NewCity Stage

New World Stages, 2023

...original music and sound design by Victoria Deiorio are done to perfection.
Suzanna Bowling - Time Square Chronicles

...original music and sound by Victoria Deiorio elicit the innate creepiness of the genre and the faux frights of this outstanding comedy.
Deb Miller - DC Theatre Arts

Mr. Greenberg and his designers — notable among them...Victoria Deiorio, who provides both flamboyant sound and mock-spooky original music — maintain a freewheeling, let’s-put-on-a-show vibe that makes these highly skilled performances seem effortless.
Elysa Gardner - NY The Sun

New World Stages, 2023

Thanks to Victoria Deiorio’s clever sound design, we hear the raggedy Renfield howling as he plummets out a turret window only to reemerge seconds later, calm and collected, as his own keeper.
Sandy MacDonald - New York Stage Review

The play pays no mind to the “terrors” part of its title...the sound designer, Victoria Deiorio, for example, is called upon to deploy effects shamelessly (clip-clopping horses never get old).
Elisabeth Vincentelli - NY Times

All the tech elements are first class...Victoria Deiorio’s sound design offering vital atmospheric contributions.
Samuel L. Leiter - theatrelife.com

New World Stages, 2023

Victoria Deiorio’s original music and sound get laughs all night.
Bill Canacci - NorthJersey.com

With some delectable original music and sound design by Victoria Deiorio Dracula – A Comedy of Terrors delivers on its promise, finding the funny vein every opportunity given.
Ross - Times Square Chronicles (T2Conline.com)

Rivendell Theatre Ensemble, 2023

It’s complicated to listen to, but it feels as realistic as the thunderstorm outside that Gabrielle Strong and Victoria Delorio conjure up or the bizarre intrusion of a full-volume Dionne Warwick song (perfectly, it is “Always Something There to Remind Me”) that suddenly plays upstairs after each temporary blackout.
Karen Topham - Chicago OnStage

Gabrielle Strongs lighting effects are great and the sound (Victoria Delorio) is perfect.
Alan Bresloff - Around the Town Chicago

Asolo Repertory Theatre, 2023

And an original background score by Victoria Deiorio gives the action scenes and some of the transitions a cinematic quality.
Jay Handalman - Herald Tribune

Capital Repertory, 2022

You must hire a fearless tech team. Every scene flows into the next, like some weird nightmare... Victoria Deiorio’s collection of sound effects is worthy of Svengoolie.
Paul Lamar - The Daily Gazette

Atmospheric sound and a curtain call preview of Mr. Greenberg’s future Broadway jukebox musical is by Victoria Deiorio.
Patrick White - nippertown.com

Seattle Repertory, 2022

Victoria Deiorio’s sound design alongside David Coulter’s original music, which he performs live on a variety of percussion instruments and a glass harp, elicit ghostly tones as he slowly circles his fingers around the rims of glasses of water.
Jerald Pierce - Seattle Times

Studio Theatre, 2019

Accompanying this thoughtful take on this play and the high-value performances, Studio presents its usual excellent technical. Victoria Deiorio’s sound design was particularly compelling and everything is sumptuous.
Tim Treanor - DC Theatre Scene

The sound design by Victoria Deiorio, was quite memorable, and had this preachers kid singing along. The sound offered nostalgia in the best of ways and elevated the church-like tone.
Micha Green - AFRO.com - The Black Media Authority

CATF, 2019

Sound Designer Victoria Deiorio has found some real gems from what Im tempted to call the “mens support group playlist."
Andrew Walker White - DC Metro Theatre Arts

Here, the technical artists have outdone themselves. Victoria Deiorios sound design is spot-on.
Tim Treanor - DC Theatre Scene

La Jolla Playhouse, 2019

Director Lili-Anne Brown and her creative team suffuse the show with eerie atmosphere from the very top, when Hitchcock-esque projected credits play across the set to the sound of Victoria Deiorios urgent and unnerving music.
James Hebert - The San Diego Union Tribune

Amanda Zieves lighting and Victoria Deiorios music play strong roles to the atmosphere and the underlying feeling of menace.
E.H. Reiter - Broadway World

Victoria Deiorios sound design makes sirens pierce effectively.
Bill Eadie - Talkin Broadway

The Goodman Theatre, 2019

Victoria Deiorios clever sound design underscores that this is a play all about young women trying to find their way.
Rachel Weinberg - Broadway World

Designer Regina Garcias rough-around-the-edges bar set is picture-perfect, while sound designer Victoria Deiorio interjects characteristic bowling alley noises.
Scott C. Morgan - Daily Herald

Seattle Repertory Theatre, 2019

With Victoria Deiorios pitch perfect, haunting sound design and compositions, the audience is easily transported back in time.
Jay Irwin - BroadwayWorld.com

Montana Shakespeare, 2018

The audience remained focused and even after an alarming clap of thunder in the production, quickly settled down to hear the sound of crickets of the next scene.
Michelle McConnaha - Ravalli Republic

Firebrand Theatre, 2018

Sound designer Victoria Deiorio and crew pull off no small miracle, successfully balancing and mixing 16 vocalists and 6 musicians, showcasing the lush score.
Sheri Flanders - Performink

American Players Theatre, 2018

...a cinematic score by Victoria Deiorio, the struggles in Measure for Measure feel real and relevant.
Lindsay Christians - The Cap Times