Griffin Theatre, 2005

Creating the prerequisite fantasyland, with all its magic and fantastical creatures, is always a challenge, especially on a small budget... and sound designer Victoria DeIorio is more than up to the task.
Mary Houlihan - Chicago SunTimes

With Victoria DeIorio's sound and Kevin D. Gawley's lights, there's no doubt that, as the theater lights go down, you've entered into an otherworldly dimension where all things are possible.
Betty Mohr - Daily Southtown Theater Critic

Lifeline Theatre, 2005

The big star of the show is behind the scenes: Victoria DeIorio, who adds so much to the mood with her music and, especially, her sound design.
Web Behrens - Chicago Free Press

The Next Theatre, 2004

...and especially striking sound by Victoria DeIorio.
Hedy Weiss - Chicago Sun-Times

And let's not forget the great work of respective set and sound designers Matthew J. York and Victoria DeIorio who both visually and audibly underpin the play's sinister and recriminating aspects.
Scott C. Morgan - Windy City Times

Lifeline Theatre, 2004

...Victoria DeIorio's right-on sound design.
Jeff Rossen - Gay Chicago Magazine

Northlight Theatre, 2004

...deserves applause; so do Victoria DeIorio's haunting and subtle sound effects.
Hedy Weiss - Chicago Sun Times

Reverie Theatre, 2004

Helen enters in the manner of a Gower Champion musical number, complete with a line of chorus boys, incongruously accompanied by Victoria DeIorio's synthesizer-based New Age-elegant incidental music.
Mary Shen Barnidge

Cobalt Theatre Company, 2001

But the real star of the show is Sound Designer Victoria DeIorio's precision-timed collection of electronic chirps, whistles, howls, buzzes and robot-voices that constitute a presence all on their own.
Mary Shen Barnidge